The Amis invite you to discover the Art Brut treasures on display in the room dedicated to the ‘Écrits dissidents’. Jean Dubuffet himself considered that writing often inhabits the works of Art Brut; ‘it - writing - slips into the interstices and margins of the figures, or it unfolds as a plastic sign with a rhythmic and sometimes phonic value. 

With Cristina Agostinelli, attachée de conservation et responsable de programmation

Tuesday at the Museum : L' Art Brut in Museum - Dissident writings

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Nestor Perkal is a versatile artist whose career began in the 1970s. As a designer of furniture, objects and lighting, interior architect, set designer, exhibition curator and artistic director, his career spans over more than 45 years. In 1978, having just graduated, he left his native Argentina to settle in France. He flourished, first in Paris as an independent designer, where he opened several galleries, while publishing his own pieces of furniture. Then, in Limoges, he joined the public sector as director of Craft, a research centre for the fire and clay arts. He continues to collaborate and maintain loyal relationships with a number of creators, designers and artists, as well as manufacturers, sponsors and collectors to this day.



With Marie-Ange Brayer, cheffe du Service du design et de la prospective industrielle

Encounter with Nestor Perkal // IC, GAX, MR

friend

benefactor

donor

grand donor 

perspective friend

perspective benefactor

International Circle

Acquisition Group for Design

Acquisition Group for Photography

Acquisition Group for Contemporary Art

 Acquisition Group for the French Scene from the 1950s to the 1980s

Mission Recherche

The Amis invite you to discover a solo exhibition by the emblematic and daring artist Suzanne Valadon. On the fringes of the dominant trends of her time, cubism and abstract art, Suzanne Valadon ardently defended the need to paint reality. She placed the nude, both female and male, at the centre of her work, representing the body without artifice or voyeurism. From her beginnings as the favourite model of the whole of Montmartre to her early artistic recognition by her peers and critics, Suzanne Valadon embraced the Parisian fervour of the turn of the century, its cafes, its bals musettes and cabarets, with an artistic and intellectual approach that revealed the changes in society. 



With Nathalie Ernoult, attachée de conservation au Service des collections modernes

Suzanne Valadon. Un monde à soi