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With Sébastien Golkap, newly appointed director of the Musée de Grenoble in 2024

Grenoble

Voyage

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The practice of art is far from being as solitary as we sometimes imagine. While the studio is a privileged space for reflection and production, it is also a place of passage, of emulation, that lives to the rhythm of the encounters and exchanges that take place there. Although creation is mostly individual, it owes a great deal to these collective manifestations which, throughout an artistic career, maintain the work in its liveliest form, porous to the multiplicities it encounters. This carte blanche for David Douard, best known for his sculptures and installations that call on altered forms of language, reflects the way in which an artist evolves alongside his peers - between reciprocal influence and fascination with the vocabulary of the other. Invited for the first time as a curator, David Douard has produced a group exhibition for the Fondation Pernod Ricard, conceived as a total environment that, through a variety of media and aesthetics, provides information on the way in which a sensibility is continually constructed.

Crumbling the Antiseptic Beauty

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International Circle

Acquisition Group for Design

Acquisition Group for Photography

Acquisition Group for Contemporary Art

 Acquisition Group for the French Scene from the 1950s to the 1980s

Mission Recherche

After graduating in sculpture from the Lucerne School of Applied Arts in 1974, Hannah Villiger (d. 1997) turned to photography as her preferred medium from the early 1980s. Armed with a 35mm camera, then a Polaroid, she sought, through her enlarged photographs presented in dynamic ensembles, to reveal the intrinsic properties of a body, an anonymised material shaped by mechanical recording.

With Julie Jones, conservatrice au Cabinet de la photographie

Hannah Villiger