To register for this trip, we invite you to write an email to Victoire Becker at victoire.becker@centrepompidou.fr

With Jeanne Brun, Directrice adjointe des collections du Musée national d'art moderne

IC, GAX, MR // Riyad & Al 'Ula

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Booking

In Atassi's paintings, the curtain is open, yet the dancers are motionless. Time has stopped. The curtain opens not to the spectacle of choreography, but to a spectacle of forms. A form among other forms, the figure seems no more than an element in an authentic still life. The same spectator is invited to enter Ulla von Brandenburg's environments, and to walk through the color and monumental fabric paintings that the artist majestically deploys in space. "La société des spectacles" reflects on the use of the stage, spectacle and artifice, and all the ambiguities this raises in artistic practices that are very different, but both rooted in a modernist heritage.

La société des spectacles - Ulla Von Brandenbourg & Farah Atassi

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International Circle

Acquisition Group for Design

Acquisition Group for Photography

Acquisition Group for Contemporary Art

 Acquisition Group for the French Scene from the 1950s to the 1980s

Mission Recherche

An artistic research project led by photography historian Estelle Blaschke and photographer Armin Linke, "Capital Image. New technologies and the economics of photography" examines photography from a more topical angle than ever: as an information technology, capable of transforming the visible world into a usable visual archive. Going beyond the observation that today, new technologies are taking over and algorithms are manufacturing the gaze, the exhibition tackles essential questions that are rarely asked: What technologies and infrastructures are needed to manage and exploit ever-increasing quantities of images? How can the economic value of images be conceived, measured and discussed?

With Florian Ebner, chef du Cabinet de la photographie

IC, GAX, MR //Capital Image