Les Amis se réjouiraient de vous retrouver pour leur second comité d'acquisition de l'année 2023, qui participe à l'enrichissement des collections du Musée National d'art moderne - Cci. 

En compagnie de Marie-Ange Brayer, cheffe su Service du design et de la prospective industrielle, Olivier Zeitoun, attaché de conservation au Service du design et de la prospective industrielle et Céline Saraiva, attachée de conservation au Service du design et de la prospective industrielle

GAD // Comité d'Acquisition

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Booking

The exhibition brings together a group of works that entered the collection in 2022 thanks to the generosity of Bella and Meret Meyer. One hundred and twenty-seven drawings, five ceramics and seven sculptures by Marc Chagall have been donated and are organized around three themes: preparatory drawings for the costumes and stage curtains for Igor Stravinsky's ballet L'Oiseau de feu, sketches and models for the decoration of the Opéra ceiling commissioned from the artist in 1962, and a group of ceramics, collages and sculptures produced between 1950 and 1970. Representative of Marc Chagall's activity after the Second World War, these mature works testify to his investment in numerous commissioned projects and the diversification of his practice. 

With Anne Montfort-Tanguy, conservatrice au Cabinet d'art graphique et commissaire de l'exposition

Perspective // Chagall à l'œuvre, dessins, céramiques et sculptures, 1945-1970

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International Circle

Acquisition Group for Design

Acquisition Group for Photography

Acquisition Group for Contemporary Art

 Acquisition Group for the French Scene from the 1950s to the 1980s

Mission Recherche

Contemporary of the first Pop works and their more or less distant fascination with consumer products and mass communication, there's nothing exotic about Gilles Aillaud's paintings. Gilles Aillaud has endeavored to "paint philosophically", giving the impression that he was depicting animals, but in reality it is our relationship with nature that imposes itself as his sole and true subject. His technical "humility" gives form to the dream of reconciliation, far removed from any project to master and possess the world. The questions that our era poses to our relationship with the living demonstrate the importance of this retrospective.

With Didier Ottinger, directeur adjoint de la Programmation culturelle and Marie Sarre, attachée de conservation au Service des collections modernes

Gilles Aillaud, Animal politique