Galerie Chantal Crousel welcomes Gabriel Orozco's eighth solo exhibition in Paris, with a unique selection of new works. Drawings and watercolours, temperas on canvas and paintings on wood will be presented with a common approach: that of the imprint of the landscape and plants from the gardens of Acapulco and Mexico. Diario de plantas will take us back to Gabriel Orozco's fascination with the organic, its complexities and its unstable nature, to his love for the elusive and immediate gesture that has so often been depicted in his notebooks. In a way, this new series is also about absence, loss and always, the abstract.

With Aurélie Verdier, curator of modern collections

From Bienfaiteur // Encounter with Gabriel Orozco

Visit

Your duo

Login

My account

To recover your password, please enter your email address.

Logout

Subscribe

Subscribe to our newsletter

Page not found

Back

Renew

Your subscription expires soon ({{date}}).

Booking

This exhibition looks back at the unclassifiable career of one of the most important French contemporary painters, Gérard Garouste (born 1946).
Alongside 120 major paintings, often of very large format, the exhibition also presents many of his installations, sculptures and graphic works.
These are all pieces that deliberately play on the deformations, mutilations and recompositions of the figure, the history of art and the great narratives (mythological, literary, religious). The artist seeks to question and overturn certainties in the mode of a game itself in perpetual reinvention.

With the artist and  Sophie Duplaix, head of the contemporary collections

Gérard Garouste

friend

benefactor

donor

grand donor 

perspective friend

perspective benefactor

International Circle

Acquisition Group for Design

Acquisition Group for Photography

Acquisition Group for Contemporary Art

Mission Recherche

Located at 21 rue Vercingétorix, in the 14th arrondissement of Paris, a stone's throw from the train station and the Montparnasse tower, this 143-room hotel aims to participate in the renewal of the district. Like its predecessor, the Drawing Hotel (Paris 1st), the Drawing House draws on the codes of the family boutique hotel. Not wishing to do hotels without art, Carine Tissot has renewed her concept with her mother Christine Phal and invited seven contemporary artists to freely occupy the premises. She also entrusted the interior design duo Nido with the task of fitting out and decorating the rooms in the building designed by the architect Éric Haour.

With the artists

Drawing House