En compagnie d'Angela Lampe, conservatrice au Service des collections modernes, Marcella Lista, cheffe du Service des nouveaux médias et conservatrice référente pour la région Asie Pacifique, Philippe-Alain Michaud,  chef du Service du cinéma expérimental, et Jonathan Pouthier, attaché de conservation au Service du cinéma expérimental

CI-Global // Study Meeting

Comité

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En compagnie de Marie-Ange Brayer, cheffe du Service du design et de la prospective industrielle, et Olivier Zeitoun, attaché de conservation au Service du design et de la prospective industrielle

GAD // Comité

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International Circle

Acquisition Group for Design

Acquisition Group for Photography

Acquisition Group for Contemporary Art

 Acquisition Group for the French Scene from the 1950s to the 1980s

Mission Recherche

The practice of art is far from being as solitary as we sometimes imagine. While the studio is a privileged space for reflection and production, it is also a place of passage, of emulation, that lives to the rhythm of the encounters and exchanges that take place there. Although creation is mostly individual, it owes a great deal to these collective manifestations which, throughout an artistic career, maintain the work in its liveliest form, porous to the multiplicities it encounters. This carte blanche for David Douard, best known for his sculptures and installations that call on altered forms of language, reflects the way in which an artist evolves alongside his peers - between reciprocal influence and fascination with the vocabulary of the other. Invited for the first time as a curator, David Douard has produced a group exhibition for the Fondation Pernod Ricard, conceived as a total environment that, through a variety of media and aesthetics, provides information on the way in which a sensibility is continually constructed.

Crumbling the Antiseptic Beauty

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