For this latest edition of its Mentoring Program, Reiffers Art Initiatives will present an exhibition by French artist Gaëlle Choisne, accompanied by her mentor Lorna Simpson - an iconic figure on the American contemporary scene and a pioneer in the 1980s of conceptual photography that intimately links text and image - whose work has been the subject of numerous exhibitions at prestigious art institutions and events, including the Venice Biennale in 1990.

Mentoring Programme Exhibition 2023 Reiffers Art Initiatives - Lorna Simpson & Gaëlle Choisne

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When he arrived in Paris in 1906, Modigliani, a Jewish artist of Italian origin, was a painter. It was this practice of painting that lay at the heart of the relationship between artist and dealer.  Through a selection of emblematic works, the exhibition will evoke the different characteristics of this corpus, exploring the links between the painter and his dealer in the Parisian artistic and literary context of the 1910s, as well as Paul Guillaume's role in the dissemination of Modigliani's work on the art market in both France and the United States in the 1920s.

Amedeo Modigliani, un peintre et son marchand

friend

benefactor

donor

grand donor 

perspective friend

perspective benefactor

International Circle

Acquisition Group for Design

Acquisition Group for Photography

Acquisition Group for Contemporary Art

 Acquisition Group for the French Scene from the 1950s to the 1980s

Mission Recherche

The first retrospective of this scale to be devoted to Julia Margaret Cameron in Paris, this exhibition reveals around a hundred photographs, from her early experiments to figurative historical, literary or allegorical compositions, as well as an impressive gallery of portraits of her contemporaries. Her highly personal approach to photographic technique, which was much criticised in her day, from blurring to various errors, has established itself as the hallmark of a pioneering style, incorporating imperfection and accident in innovative ways. Original and timeless, the work, produced in barely a decade, between 1864 and 1875, is one of the finest illustrations of the epic spirit of early photography.

With curators of the exhibition

Julia Margaret Cameron