At 4 cour de l'Île Louviers, L'Atlas, la galerie des mondes invites galleries, foundations or international institutions to present in its 250 m² space one or more artists of the international contemporary scene. The Amis invite you to discover this unique location followed by a drink.

With Damarice Amao, assistant curator at the Photography Cabinet

Perspective // L'Atlas, la Galerie des Mondes

Visit

Your duo

Login

My account

To recover your password, please enter your email address.

Logout

More ...

Subscribe

Subscribe to our newsletter

Page not found

Back

Renew

Your subscription expires soon ({{date}}).

Work in progress...

Booking

For the first time, the work of Moï Ver, painter, graphic artist and photographer (1904, Lithuania - 1995, Israel) is presented in all its richness and complexity. Trained at the Bauhaus and then in Paris alongside Fernand Léger, Moï Ver was a champion of photographic modernism in the 1930s. More than 300 works and documents (photographs, paintings, drawings, prints), most of which have never been shown before, allow us to appreciate the experimental nature of his view of society, as well as his impressive mastery of photographic montage.

With Julie Jones, curator of Photography Cabinet and curator of the exhibition 

Moï Ver

friend

benefactor

donor

grand donor 

perspective friend

perspective benefactor

International Circle

Acquisition Group for Design

Acquisition Group for Photography

Acquisition Group for Contemporary Art

 Acquisition Group for the French Scene from the 1950s to the 1980s

Mission Recherche

The artist Claude Rutault (1941-2022) never ceased to confront painting and to question the link between the decor, the place, and the pictorial itself. A year after his departure, the Louvre Museum, the Musée d'Orsay and the Centre Georges Pompidou join forces to pay tribute to him and show the contemporary relevance of his work and his gaze. At the entrance of the Egyptian Antiquities Department, the Louvre exhibits a work in dialogue with the portraits of mummies of the Fayum, thus questioning, according to the conception of the history of painting that the artist developed, the origin of the painting, the "first painter". 

With Donatien Grau, advisor for contemporary programs at the Louvre

IC, GAX, MR // Claude Rutault