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Work in progress...

Booking

Thanks to the Centre Pompidou's restoration expertise, three iconic works from the collections of the Sursock Museum in Beirut, severely damaged in the double explosion in the port of Beirut on August 4, 2020, have been brought back to life. 
The Portrait of Nicolas Ibrahim Sursock (Kees Van Dongem), the Portrait of Odile Mazloum (Cici Tomazeo Sursock) and Consolation (Paul Guiragosian) have been restored under the direction of Véronique Sorano-Stedman and in partnership with the directof of the Sursock Museum. The works are now on display in the collections of the Musée National d'Art Moderne and we would be delighted to have you join us to celebrate the completion of this major exhibition and the friendship between the Centre Pompidou and the Sursock Museum, during a guided tour. 

With Pamela Sticht, in charge of scientific coordination with the museum director

Honouring the paintings of the Sursock Museum restored by the Pompidou Center 

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International Circle

Acquisition Group for Design

Acquisition Group for Photography

Acquisition Group for Contemporary Art

 Acquisition Group for the French Scene from the 1950s to the 1980s

Mission Recherche

In February 1972, US President Richard Nixon travelled to China to meet Mao Zedong. Against the electric backdrop of the Vietnam War and the Cold War, this rapprochement marked a turning point in Sino-American relations. A major figure in contemporary music, John Adams used this event as the subject of his first opera. A political and human drama, Nixon in China deals with the political thaw fostered by the 'ping-pong diplomacy' that resulted from the invitation of American table tennis players by their Chinese counterparts a year before their president's trip. A heady score, where the pulsations and repetitions typical of musical minimalism intermingle with melodic lines of great lyricism. 

Opera: Nixon in China