SIGN UP VIA E-MAIL AT THE FOLLOWING ADDRESS: victoire.becker@centrepompidou.fr

Tour of Alvar Aalto's hours, discovery of great Finnish designers and archictects. 

 Marie-Ange Brayer, head of the design and industrial prospective department

GAD // Helsinki

Voyage

Your duo

Login

My account

To recover your password, please enter your email address.

Logout

Subscribe

Subscribe to our newsletter

Page not found

Back

Renew

Your subscription expires soon ({{date}}).

Booking

From July 3rd to November 6th, 2022, the Fondation Cartier pour l'art contemporain presents the first solo exhibition of Aboriginal artist Mirdidingkingathi Juwarnda Sally Gabori outside Australia. Considered one of Australia's leading contemporary artists of the past two decades, Sally Gabori began painting in 2005 at the age of 80 and quickly gained national and international artistic recognition. In a few years, with a rare creative intensity, until her death in 2015, she developed a unique body of work with vibrant colors, with no apparent attachment to other aesthetic currents, particularly within contemporary Aboriginal painting.

With Juliette Lecorne, curator of the exhibition

Mirdidingkingathi Juwarnda Sallygabori

Visit

friend

benefactor

donor

grand donor 

perspective friend

perspective benefactor

International Circle

Acquisition Group for Design

Acquisition Group for Photography

Acquisition Group for Contemporary Art

 Acquisition Group for the French Scene from the 1950s to the 1980s

Mission Recherche

Les amis invite you to meet Nicolas Bureau, winner of the Mission Recherche 2022 grant. In his first theoretical book On the Spiritual in Art (1912), Kandinsky drew an analogy between the "Primitives" and the new art. He defines the inner necessity, both subjective, since it depends on the personality of the artist, of a period, and objective, since it contains "the pure, eternal artistic" common to all people, to all periods. This desire to assert the universal character of art is manifested in a draft preface for the Almanach Der Blaue Reiter with Franz Marc. This intention is clearly apparent in the plurality of periods and origins of the works reproduced in the book. This visit will be followed by a tour of the permanent collections in the company of the researcher.

With Anne Montfort-Tanguy

MR //Encounter with Nicolas Bureau