A first Parisian retrospective devoted to Oskar Kokoschka (1886-1980), the exhibition traces seven decades of pictorial creation and highlights the creativity of the Austrian artist during a dive into the heart of 20th century Europe. A unique selection of the 150 most significant works of the painter is presented thanks to the support of important European and American collections.

With Fanny Schulmann, curator of contemporary collections at the MAM and curator of the exhibition

Oskar Kokoschka

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Les amis invite you to meet Aline Pighin, winner of the Mission Recherche 2022 grant, whose research topic is the Galerie-Librairie Palmes, founded by Hubert Deschamps, a retired colonial administrator. Its inauguration in 1948 was the occasion for the Afro-American writer Richard Wright to assert the obviousness of Negro art in a groundbreaking speech that was published in an issue of the Association Populaire des Amis des Musées (APAM). Although it seems to have been the site of a continuous tension between colonial networks and the APAM, the Galerie-Librairie Palmes stands at the intersection of black art and the plastic and literary avant-gardes of the post-war years. The research project aims to restore the centrality of the Galerie-Librairie Palmes in a movement of new narration of art history - detached in theory from the Euro-Western canon, towards a utopian and universalist whole-world. 
This meeting will be followed by a visit of the permanent collections with the researcher.

With Mica Gherghescu, in charge of the development of research services at the Bibliothèque Kandinsky

MR // Encounter with Aline Pighin

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International Circle

Acquisition Group for Design

Acquisition Group for Photography

Acquisition Group for Contemporary Art

Groupe d'Acquisition pour la Scène Française des années 50 - 80

Mission Recherche

Through film, performance, painting, and drawing, artist Wang Tuo interweaves disparate realities through archives, modern history, myth, and literature. The artist’s work is a powerful examination of modern Chinese history that untangles collective unconsciousness and historical trauma through glimpses into his protagonists’ troubled psyches. Wang’s speculative films excavate and revive archives as contexts in which to reproduce and evoke modern Chinese history and social reality. 

With Marcella Lista, Head of the new media department, and Yin Ker, adjunct curator for the IC-Asia Pacific

Online // Encounter with Wang Tuo

Online