Following the death of Alber Elbaz, AZ Factory, the label he had recently founded, conceived and organized a fashion show in his honor that brought together 46 designers. Everyone was invited to create a silhouette inspired by Alber Elbaz's character or his work: flowing dresses with long trains, short dresses with ruffles or big bows, dresses printed with drawings or the designer's portrait. Recognized or emerging, at the head of historic houses or their own brand, these designers have offered a look at fashion design, its questions and its contemporary issues: environment, diversity, gender...

With Alexandre Samson, in charge of the couture collections and contemporary collections at the Palais Galliera and curator of the exhibition

Love brings Love

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Booking

Presenting several cycles of paintings made from 1969 to 2021, the exhibition allows us to rediscover the work of the Italian painter Giorgio Griffa (born 1936 in Turin).
In parallel with his life-long activity as a lawyer, he produced, from the second half of the 1960s onwards, abstract works recognizable by their blank canvases, unprimed and unstretched, worked on the floor and then fixed to the wall with simple nails. Close to the Arte Povera and Pittura Analitica movements, the BMPT and Supports/Surfaces artists' groups, Griffa cultivates independence and his work a singularity that places him as one of the most important Italian painters of his generation. 

With Christine Macel, head of the contemporary and prospective creation service

Giorgio Griffa

friend

benefactor

donor

grand donor 

perspective friend

perspective benefactor

International Circle

Acquisition Group for Design

Acquisition Group for Photography

Acquisition Group for Contemporary Art

Groupe d'Acquisition pour la Scène Française des années 50 - 80

Mission Recherche

For project room #5, India Mahdavi invites Martine Bedin, whose joyful and colourful universe resonates so well with India Mahdavi's and who initiated a complicit conversation between the two designers. This project room #5 not only presents the drawings and the resulting objects, but also immerses the visitor in the space of her notebooks and her universe, like an amplified cry.

The dialogue between the designers has resulted in the publication of a fabric designed by Martine Bedin (clair de lunes) which will be used to cover some of India Mahdavi's models

With Marie-Ange Brayer, head of the design and industrial prospective service

GAD // Martine Bedin and India Madhavi