Thinking about the work of art as something permeable to the relationships it establishes with its surroundings, rather than as something crystallized, the 34th Bienal was conceived to expand in space – extending through partnerships with 25 cultural institutions in the city – and in time – through solo shows and performances held in the Bienal Pavilion during the lead up to the event’s main group show.This virtual tour will be guided by Paulo Miyada, adjunct curator for South America who works closely with Frédéric Paul, curator of the modern collections department.

A curatorial tour with Paulo Miyada, ajunct curator with a short filmed statement by Jacopo Crivelli Visconti

Sao Paulo's Biennal 

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Chris Marker’s work, Zapping Zone (Proposals for an imaginary television) was produced by the Mnam-Centre Pompidou in the framework of the exhibition "Passages de l’Image" in 1990. Composed of 13 television sets, 7 computer stations (Apple II GS), 4 luminous displays containing 80 slides and 10 photomontages, this large interactive installation marked the entry of digital script into the art field at the dawn of the World Wide Web. Up until 2007, and Chris Marker’s last presentation before his death, the artist produced endlessly, building up an archive of 183 disks of work.

With Marcella Lista, head of the new media service

CHRIS MARKER - ZAPPING ZONE

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Acquisition Group for Design

Acquisition Group for Photography

Acquisition Group for Contemporary Art

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