Chris Marker’s work, Zapping Zone (Proposals for an imaginary television) was produced by the Mnam-Centre Pompidou in the framework of the exhibition "Passages de l’Image" in 1990. Composed of 13 television sets, 7 computer stations (Apple II GS), 4 luminous displays containing 80 slides and 10 photomontages, this large interactive installation marked the entry of digital script into the art field at the dawn of the World Wide Web. Up until 2007, and Chris Marker’s last presentation before his death, the artist produced endlessly, building up an archive of 183 disks of work.

With Marcella Lista, head of the new media service

CHRIS MARKER - ZAPPING ZONE

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Booking

The Fondation Henri Cartier-Bresson presents an exceptional exhibition of the work of John Coplans (1920 2003), in collaboration with Le Point du Jour, a publishing art center in Cherbourg-en-Cotentin. The works exhibited, from French collections, testify to the audacity of the British artist, famous for his uncompromising representation of his own body.

With François Hébel, curator of the exhibition

John Coplans, La vie des formes

friend

benefactor

donor

grand donor 

perspective friend

perspective benefactor

International Circle

Acquisition Group for Design

Acquisition Group for Photography

Acquisition Group for Contemporary Art

Mission Recherche

In 2001 and 2016, the Museum of Modern Art (MoMA) in New York acquired more than 350 photographs from Thomas Walther. This Swiss collector had gathered an impressive body of work from the greatest artists of the first half of the 20th century, including El Lissitzky, Berenice Abbott, Alexander Rodthchenko, Edward Weston, Manuel Álvarez Bravo and Claude Cahun.

With mediators

Masterpieces of the MoMA