Pierre Bismuth is a French visual artist who questions the status of the work of art. He tries to destabilize the spectator by disrupting the most acquired cultural codes. Through his artistic practice he examines our perception of reality and the modes of transmission that allow us to apprehend the world. Pierre Bismuth mainly uses film extracts, works by other artists or found images to feed his work.

With Jean-Pierre Criqui, curator

Pierre Bismuth

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Chris Marker’s work, Zapping Zone (Proposals for an imaginary television) was produced by the Mnam-Centre Pompidou in the framework of the exhibition "Passages de l’Image" in 1990. Composed of 13 television sets, 7 computer stations (Apple II GS), 4 luminous displays containing 80 slides and 10 photomontages, this large interactive installation marked the entry of digital script into the art field at the dawn of the World Wide Web. Up until 2007, and Chris Marker’s last presentation before his death, the artist produced endlessly, building up an archive of 183 disks of work.

With Marcella Lista, head of the new media service

CHRIS MARKER - ZAPPING ZONE

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benefactor

donor

grand donor 

perspective friend

perspective benefactor

International Circle

Acquisition Group for Design

Acquisition Group for Photography

Acquisition Group for Contemporary Art

 Acquisition Group for the French Scene from the 1950s to the 1980s

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