Sarcevic’s ensembles explore the technoid fascination of our society today while offering unsettling relics of a future in which bodies and machines commune with an intimacy so odd that it becomes an extimacy.

© Bojan Sarcevic, L'Extime, 2020, exhibition views, photo: Claire Dorn



GAAC // Encounter with Bojan Sarcevic

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Chris Marker’s work, Zapping Zone (Proposals for an imaginary television) was produced by the Mnam-Centre Pompidou in the framework of the exhibition "Passages de l’Image" in 1990. Composed of 13 television sets, 7 computer stations (Apple II GS), 4 luminous displays containing 80 slides and 10 photomontages, this large interactive installation marked the entry of digital script into the art field at the dawn of the World Wide Web. Up until 2007, and Chris Marker’s last presentation before his death, the artist produced endlessly, building up an archive of 183 disks of work.

With Marcella Lista, head of the new media service

CHRIS MARKER - ZAPPING ZONE

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