Arnauld Pierre is a contemporary art historian. He lectures at the Sorbonne University and is part of the research team of the André Chastel Center. He is also a member of the editorial board of the Cahiers du Musée national d’art moderne, and a member of the International Association of Art Critics. In addition, he was a guest academic member of the «Mission Recherche» committee in 2020. In this conference focused on the archaeology of generative art, he will start as a referenc point with the exhibition «Cybernetic Serendipity» in 1968 in London to notice the presence of a certain number of analogical devices generating vibratory tracings that he will relate to an instrument invented in the 19th century, the harmonograph.

© Alice Pierre

Conference by Arnauld Pierre

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Fernando and Humberto Campana have been building since the early 80’s a singular work that uses recycled materials and techniques in the world of design. From their workshop in São Paulo, a true artisanal laboratory, Fernando and Humberto Campana conceive designs «drawn from the street», halfway between Arte Povera and the industrial production of design objects. Recently, the installation Pele joined the collections of the Musée National d’art moderne, thanks to a donation by the designers with the complicity of Beatriz Yunes Guarita, Board member of the amis du Centre Pompidou.

IN ENGLISH

Conversation between Humberto Campana and Olivier Zeitoun

friend

benefactor

donor

grand donor 

perspective friend

perspective benefactor

International Circle

Acquisition Group for Design

Acquisition Group for Photography

Acquisition Group for Contemporary Art

Mission Recherche

This retrospective brings together a collection of major works, articulated around a new production that imagines the future of the world in the age of social simulation technologies. It retraces a journey that began in the 1990s in the field of documentary cinema and which has been developing, over the past ten years, particularly inventive multimedia installations, dedicated to joyfully transforming the immersive nature of our visual culture into a space for reflection. Pointing out the failures and paradoxes of the image, Hito Steyerl experiments with new ways of talking about reality and critically addresses nationalism, capitalism and artificial intelligence. 

With Curators Florian Ebner and Marcella Lista

Hito Steyerl. I will survive

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