With Frédéric Paul, conservateur au Service des collections contemporaines, Paulo Miyada, adjunct curator for the IC-Latin America, and Cecilia Vilela, research assistant for the IC-Latin America

Study Meeting // IC-Latin America

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Booking

The Amis invite you to attend the rehearsal of Puccini's Il Trittico at Opéra Bastille. Three colours, three moods, three registers. And yet Puccini conceived this triptych as a whole from the outset. He interweaves three one-act operas, from Il Tabarro, a drama of passion set on the quais of the Seine in the early 20th century, to Gianni Schicchi, a burlesque farce set in medieval Florence, and Suor Angelica, a mystical tragedy set in a 17th-century convent. Director Christof Loy, making his Paris Opera debut, places these works in an unusual order, progressing from comedy to drama.

Opera rehearsal "Il Tritticco” Giacomo Puccini

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International Circle

Acquisition Group for Design

Acquisition Group for Photography

Acquisition Group for Contemporary Art

 Acquisition Group for the French Scene from the 1950s to the 1980s

Mission Recherche

The Musée national Picasso Paris presents its new temporary exhibition: "Degenerate’" Art. Modern art on trial under the Nazis. The first exhibition in France devoted to so-called "degenerate" art, it explores and puts into perspective the Nazi regime's methodical attack on modern art.

The show looks in particular at the propaganda exhibition Entartete Kunst (degenerate art), held in Munich in 1937, which showed over 600 works by around a hundred artists representing the different currents of modern art, from Otto Dix to Ernst Ludwig Kirchner, from Vassily Kandinsky to Emil Nolde, from Paul Klee to Max Beckmann, in a setting designed to provoke the disgust of the public. "Entartete Kunst" was the culmination of a series of infamous exhibitions held in a number of museums from 1933 onwards (Dresden, Mannheim, Karlsruhe, etc.) to denounce the artistic avant-garde as a threat to German "purity", against the backdrop of a methodical "purge" of German collections.

With Johan Popelard, chef du département de la conservation et des collections du Musée national Picasso, and curator of the exhibition

Degenerate Art: The Trial of Modern Art under Nazism