Designers Patrick Jouin and Ruedi Baur have been commissioned by the Société du Grand Paris to invent a common language for the new Paris metro system. With the opening of the first line scheduled for 2024, the two collaborators unveiled the design of the furniture and signage for the future network's 68 stations last September.

With Marie-Ange Brayer, cheffe du Service du design et de la prospective industrielle

IC, GAX, MR // Discovery of a soon to be inaugurated station on the new Grand Paris line

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The Musée Yves Saint Laurent Paris presents the second chapter in a story begun last summer at the Cité de la dentelle et de la mode in Calais. Transparency, when worn, is rarely integral: it is, in theory, incompatible with the very function of clothing, which is supposed to clothe, conceal or protect the body. Attracted by this contradiction, and by the suggestive power of transparency, Yves Saint Laurent began using materials such as chiffon, lace and tulle in the 1960s. Like a leitmotif, transparency recurs regularly throughout his forty years of creation, sometimes combined with embroidery or opaque fabrics. With audacity, he reconciles antagonisms and allows women to assert their bodies with pride.

With Elsa Janssen, Director of the Musée Yves Saint Laurent

Yves Saint-Laurent : Transparencies

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benefactor

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International Circle

Acquisition Group for Design

Acquisition Group for Photography

Acquisition Group for Contemporary Art

 Acquisition Group for the French Scene from the 1950s to the 1980s

Mission Recherche

As a student at the École Nationale Supérieure des Arts Décoratifs (but not a graduate!), Hervé Di Rosa began selling his paintings in 1979. In 1981, he co-founded the Figuration Libre movement. Gradually, he diversified his artistic approaches through contact with craftsmen on a world tour. Without claiming a particular style, but by developing a narrative universe of his own, populated by recurring characters, he has practiced all creative techniques. In 2000, he founded the Musée international des arts modestes (MIAM) in Sète, where he exhibits works by artists from all over the world and creates exhibitions that question the boundaries of contemporary art.

With Michel Gauthier, conservateur au Service des collections contemporaines

Hervé di Rosa