Mathilde Rosier presents at the Fondation Pernod-Ricard her new monumental work in situ, Dans les champs d'intensive prospérité. Combining paintings, drawings and films, the exhibition addresses the notion of sensitive life and communication with nature. The artist invites us to meditate on the domestication of plants, agriculture and the intermediate states between nature and man through fields and plants representing limbo, a space situated between natural logic and human beings.

With the artist

Mathilde Rosier, Dans les champs d'intense prospérité

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"Moviment" invites the public to experience a concentrate of the Centre Pompidou's utopia: the visual arts mingle with cinema, performance, music, speech... In the same constantly changing space, works from the collection, encounters, screenings, workshops, shows and performances are presented side by side. Since 1977, the Centre Pompidou's ambition has been to bring together all the ways of encountering creation, understanding it, and taking part in it, in the dream of a monument in motion: a "moviment". This week, the Amis invite you to meet Rosa Barba on the occasion of her performance. 

With François Nawrocki, curator at the Bibliothèque Kandinsky and curator of the project

Moviment / Encounter with Rosa Barba

friend

benefactor

donor

grand donor 

perspective friend

perspective benefactor

International Circle

Acquisition Group for Design

Acquisition Group for Photography

Acquisition Group for Contemporary Art

Groupe d'Acquisition pour la Scène Française des années 50 - 80

Mission Recherche

A major figure in architecture, often considered a leader of the so-called high-tech movement, the British architect Norman Foster has signed many iconic projects around the world. Drawings, workbooks, models and prototypes provide an insight into some one hundred projects, both in architecture and design. All of these projects bear witness to his overall systemic understanding of nature and technology, reconciling technological progress with a sustainable ecological approach.

With Frédéric Migayrou, deputy director of the museum and curator of the exhibition

Norman Foster