Laure Tiberghien's work is part of a trend of experimentation that can be traced back to the beginning of the medium's history to underline its inventive character, but which has nothing to do with any fascination for technology as such. It is well known that in this field technology is only as interesting as what it allows us to say. The first inventors, starting from hypotheses that were each more audacious than the last, achieved surprising combinations and results that have often remained unequalled on the plastic level.

With Philippe Bettinelli, curator of the new media department

Perspective // Laure Thiberghien's studio

Visit

Your duo

Login

My account

To recover your password, please enter your email address.

Logout

Subscribe

Subscribe to our newsletter

Page not found

Back

Renew

Your subscription expires soon ({{date}}).

Booking

In February 1972, US President Richard Nixon travelled to China to meet Mao Zedong. Against the electric backdrop of the Vietnam War and the Cold War, this rapprochement marked a turning point in Sino-American relations. A major figure in contemporary music, John Adams used this event as the subject of his first opera. A political and human drama, Nixon in China deals with the political thaw fostered by the 'ping-pong diplomacy' that resulted from the invitation of American table tennis players by their Chinese counterparts a year before their president's trip. A heady score, where the pulsations and repetitions typical of musical minimalism intermingle with melodic lines of great lyricism. 

Performance: Nixon in China

friend

benefactor

donor

grand donor 

perspective friend

perspective benefactor

International Circle

Acquisition Group for Design

Acquisition Group for Photography

Acquisition Group for Contemporary Art

Mission Recherche

With nearly 200 works - sculptures, engravings, drawings and paintings - the exhibition chronologically retraces Germaine Richier's artistic trajectory and sheds light on the major themes that nourish her sculptural practice (the human, the animal, myths, etc.). Trained in the tradition of Auguste Rodin and Antoine Bourdelle, Germaine Richier asserted herself as profoundly original and radical in little more than 25 years, from the 1930s to her early death in 1959: a link between Rodin and the first César in the history of modern sculpture.

With Ariane Coulondre, in charge of research at the Centre Pompidou and curator of the exhibition 

Germaine Richier