Perspective // Maxime Rossi's studio

Through the kaleidoscopic prism of a complex and heterogeneous practice mixing sculpture, installation, performance, scenography and video, Maxime Rossi ignores the very idea of categories, and responds to his visual and sensorial obsessions which come from both immediate popular culture and the counter-cultures of the last century. His work conjures up a kinetic duvet cover, a philosophical bagel, floral condoms, and arbitrary scores by Frédéric Chopin, all improbable telescopes that allow him to inscribe himself in a poetry of language, where semantics and the history of art are constantly abused, not without humour.