The meaning of value in a post-whatever era, the mass abundance of images - from both amateur and professional production to algorithmically generated images - and the displacement of the artist from production to post-production, and from the creation of works to the generation of formats, are all recurring themes in the recent work of Émilie Brout and Maxime Marion. Since 2009, the French duo has focused on projects that re-invent the modern language of film by reusing and appropriating content from the web. Freeing them from their status as seemingly insignificant and worthless data, they rearrange them into complex and narrative devices, sometimes algorithmically generated, or powerful iconic images.

With the artists and Philippe Bettinelli, curator of the new media department

Perspective and Bienfaiteur // Emilie Brout and Maxime Marion's workshop

Visit

Your duo

Login

My account

To recover your password, please enter your email address.

Logout

Subscribe

Subscribe to our newsletter

Page not found

Back

Renew

Your subscription expires soon ({{date}}).

Booking

Les amis invite you to mark the date of the fifth artist meeting of the second session in your calendar. 

With Guy Bloch-Champfort, Thérèse Swiersczynski and Frédéric Paul

GAAC // Encounter with Harald Klingelhöller

Online

friend

benefactor

donor

grand donor 

perspective friend

perspective benefactor

International Circle

Acquisition Group for Design

Acquisition Group for Photography

Acquisition Group for Contemporary Art

Mission Recherche

Les amis invite you to mark the date of the fourth artist meeting of the second session in your calendar. 

With Pierre-Antoine Baubion, Hervé Roussel and curator Nicolas Liucci-Goutnikov

GAAC // Encounter with Zhanna Kadyrova

Rencontre