The work of German photographer Jochen Lempert (b. 1958), imbued with images of nature where animals and plants rub shoulders, combines the rigour of scientific observation with the delicacy of poetry.
The retrospective exhibition allows us to discover the whole of his career, and to put it in resonance with some of the historical pieces preserved by the Musée national d'art moderne - from the scientific work of Anna Atkins or Karl Blossfeldt to the surrealist images of Jacques-André Boiffard, via the prints of Jean Painlevé in particular.

With Florian Ebner, head of the photography cabinet and Julie Jones, curator at the photography cabinet

GAP // Jochen Lempert

Visit

Your duo

Login

My account

To recover your password, please enter your email address.

Logout

Subscribe

Subscribe to our newsletter

Page not found

Back

Renew

Your subscription expires soon ({{date}}).

Booking

We look forward to seeing you at our first acquisition committee of 2022.

With Florian Ebner, head of the photography cabinet and Julie Jones, curator of the photography cabinet

GAP //Acquisition Committee

friend

benefactor

donor

grand donor 

perspective friend

perspective benefactor

International Circle

Acquisition Group for Design

Acquisition Group for Photography

Acquisition Group for Contemporary Art

Mission Recherche

This exhibition on the art and culture of the Neue Sachlichkeit (New Objectivity) in Germany is the first comprehensive overview of this artistic movement in France. In addition to painting and photography, the project brings together architecture, design, film, theatre, literature and music.

Photographer August Sander's masterpiece Men of the 20th Century establishes the motif of a cross-section through a society as a "show within a show" as a structural principle, with the two perspectives working together to open up a broad overview of German art of the late 1920s.

With Angela Lampe, curator of the modern collection service and Florian Ebner, head of the photography cabinet

Allemagne années 1920 / Nouvelle Objectivité / Auguste Sander (copie)