We look forward to seeing you at our first acquisition committee of 2022.

With Marie-Ange Brayer, head of the design and industrial prospective service

GAD // Acquisition Committee

Comité

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Work in progress...

Booking

From April 16th to December 31st 2022, a double exhibition dedicated to Maya Ruiz-Picasso, articulated in two parts, New Masterpieces. La Dation Maya Ruiz-Picasso and Maya Ruiz-Picasso, fille de Pablo, will be an opportunity to present to the public all nine exceptional works from the Maya Ruiz-Picasso collection that have joined the national collections through dation, while exploring the precious testimony of a relationship between a father and his daughter.



With Emilia Philippot, curator of the exhibition

Benefactors and Perspective Benefactors // Maya Ruiz-Picasso

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friend

benefactor

donor

grand donor 

perspective friend

perspective benefactor

International Circle

Acquisition Group for Design

Acquisition Group for Photography

Acquisition Group for Contemporary Art

 Acquisition Group for the French Scene from the 1950s to the 1980s

Mission Recherche

Ptratchaya Phithong has kindly agreed to meet with us before his return to Philippines. The Organ of Destiny, title of Pratchaya Phinthong's new exhibition, brings together in Paris villagers from the plains of Xieng Khouang province and the ghosts of the Vietnam War in the mined fields and forests of Laos. The exhibition space becomes the place where everything is transformed, from one object to another, from one function to another, from one medium to another. Mirror sculptures pay homage to the initiative of Stephen Sumner, a cyclist amputee who, cured of the pain of the phantom limb thanks to mirror therapy, teaches it in turn to amputees in Laos.  A night vision camera makes its way through the forest, evoking a rumor about bombs trapped in the trees. On the floor, several sculptures made of cardboard cutouts and metal, on which clay leaves seem to grow. For Pratchaya Phinthong, the exhibition is an organic space-time, where geopolitical, artistic and microeconomic realities come into play in a discrete and reformulated way. The artist creates open systems where the traces of the past are led towards the emergence of new possibilities.

With Marcella Lista, head of the new media service

Rencontre avec Pratchaya Phinthong