This carte blanche for Charles Ray, never before seen in France or in Europe, is a joint project with the Centre Pompidou: two exhibitions are co-presented in the two museums.
The corpus of Charles Ray's work is made of a hundred sculptures and bas-reliefs, and more than a third of his sculptural works are presented in Paris for the first time, with nearly twenty works at the Bourse de Commerce - Pinault Collection and at the Centre Pompidou.

Welcome by Emma Lavigne, Director of the Bourse de Commerce - Pinault Collection and a tour by Caroline Bourgeois, curator of the Pinault Collection

CI and GAAC // Charles Ray

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Booking

From February 12 to May 29, 2022, the Fondation Cartier pour l'art contemporain presents Heliotropo 37, the first major exhibition in France devoted to the entire body of work of Mexican photographer Graciela Iturbide, from the 1970s to today. For this true portrait exhibition, the artist has opened the doors of her studio at 37 Calle Heliotropo in Mexico City, one of the masterpieces of architect Mauricio Rocha, who also designed the exhibition's scenography. 

Carnaval, Tlaxcala, México, 1974, Tirage gélatino-argentique © Graciela Iturbide.

With Marie Perennes, curator of the exhibition

Graciela Iturbide

friend

benefactor

donor

grand donor 

perspective friend

perspective benefactor

International Circle

Acquisition Group for Design

Acquisition Group for Photography

Acquisition Group for Contemporary Art

Groupe d'Acquisition pour la Scène Française des années 50 - 80

Mission Recherche

The Louvre Museum has entrusted the designer Martin Szekely with the creation of furniture for its rooms. Made of light oak, these sober and elegant seats, benches, and standing seats are designed for the comfort of receptionists, security guards, and visitors.
Following in the footsteps of Pierre Paulin, Charlotte Perriand, and Jean-Michel Wilmotte, Martin Szekely has designed furniture that combines ergonomics, durability, and timelessness, a sign of the Louvre's ever-fecund link with contemporary creation.


With Marie-Ange Brayer, head of the design and industrial prospective service and wuth Michel Antonpietri, assistant to the director of mediation and cultural programming

GAD // Encounter with Martin Szekely