Perspective // Aïda Bruyère and Jay Ramier
With the curators
Visit
January 13, 2022
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Les amis invite you to a tour of two exhibitions at the Palais de Tokyo.
Through collaborative installations and editions, Aïda Bruyère presents an installation that resembles a closed and abandoned nightclub, and thus summons several women whose representations and actions manifest forms of emancipation and empowerment.
On the occasion of the 10th anniversary of the Lasco Project, the Palais de Tokyo invites Jay Ramier, an artist considered to be one of the pioneers of French hip-hop, a creolized and post-colonial movement.
Translated with www.DeepL.com/Translator (free version)
Through collaborative installations and editions, Aïda Bruyère presents an installation that resembles a closed and abandoned nightclub, and thus summons several women whose representations and actions manifest forms of emancipation and empowerment.
On the occasion of the 10th anniversary of the Lasco Project, the Palais de Tokyo invites Jay Ramier, an artist considered to be one of the pioneers of French hip-hop, a creolized and post-colonial movement.
Translated with www.DeepL.com/Translator (free version)