In company of Mathieu Pitkevicht
Shimabuku explores and travels around the world as an observer or provocateur of unusual situations between living beings.
For his exhibition at Crédac, he takes the soil of the city. According to an empirical cartography, he takes sediments gleaned that he feeds as the promises of potential microcosms. These islets respond to a film made on a beach in the Oshika peninsula.