Clay Apenouvon « Film noir, le ver est dans le fruit », 2017. Courtesy de l’artiste et Mariane Ibrahim Gallery, Seattle © Pascale Odile © Thibaut Voisin
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Clay Apenouvon

Clay Apenouvon participated in painting, graphic arts and screen-printing workshops in Togo before moving to Paris where he continued his initiation with artists Claude Viallat and Mounir Fatmi. After exploring cardboard as a material, he developed the concept ‘Plastic Attack’ to raise public awareness of the harmfulness of plastic. More recently with the “Film noir de Lampedusa”, he denounced the indifference of Europe faced with the tragedy of illegal immigration. He used black stretch film to create an exceptionally powerful and evocative in situ installation.

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Tuesday, 7 May 2019